![]() ![]() ![]() Back in March, the band released Deap Lips, a collaborative effort with Deap. Luckily, with the new Deap Lips album you’ll be able to replenish the supply of F-bombs you’ve “got left to give.”įollow writer David Gill at /songotaku and Instagram/songotaku. The new record is scheduled for release on September 11 via Warner. With the next presidential election still seven months away, there will be plenty of opportunities for colorful language. The resulting album somehow manages to sound both brash and mannered. California Rock & Roll duo Deap Vally (Lindsey Troy & Julie Edwards) and Oklahoma psych-heroes The Flaming Lips (Wayne Coyne & Steven Drozd). The album tempers Deap Vally’s foul-mouthed passion with The Flaming Lips’ experience and sonic sorcery. The juxtaposition is on full display for “Love is a Mind Control,” a song The Flaming Lips originally worked up for singer-songwriter Kesha. The album’s music splits its personality between strummed acoustic guitars and psychedelic synthesizers, usually at the same time. Gone for the most part are Deap Vally’s lo-fi Sabbath-like power chords, supplanted by The Flaming Lips’ sci-fi hippy vibe from their Yoshimi Battles the Pink Robots era. Ironically, the anti-drug anthem sounds pretty doped-up, and Troy can’t resist adding an Oedipal element to the line, “Lord, he’ll leave your motherfucking mind to scream.” This special collaboration came together after a. Originally envisioned for a Flaming Lips collaboration with Miley Cyrus that never happened, the album’s cover of Steppenwolf’s “The Pusher” synthesizes the original’s overdriven grit, transforming it into an airy, bleepy, and Auto-Tuned sci-fi soundscape. Vinyl, LP, AlbumDeap Lips is Wayne & Steven from The Flaming Lips with Julie & Lindsey from Deap Vally. On the album’s first single, “Hope, Hell, High,” Troy lends her distinctive voice, which sounds more than a little like “Ex’s and Oh’s” singer Elle King, to a silky acoustic ballad that grows forceful during the hard-hitting chorus with Edwards singing, “It’s a motherfucker, it’s a motherfucker, blam, blam, blam, blam blam, blam, blam, blam, blam, blam!” Mission accomplished: The song includes the lyrics: “Riding along through the deep valley where the dragons of madness roam” along with, “Now I think I tried too hard to shut the mouth of doom.taking all my wisdom from the flaming lips of youth.” Main playcircleoutline Discover sort Genres search Search Your collection queuemusic Playlists favoriteborder Likes Login. Millions of songs for free and in good quality. So Flaming Lips members Wayne Coyne and Drozd set to work, dusting off some unused songs from other projects and composing new ones, including the album’s opener, the overdriven and syncopated “Home Through Hell.” The artists were committed to shoehorning both bands’ names into the lyrics. Deap Lips - Deap Lips, Deap Vally, The Flaming Lips. Maybe Julie and Lindsey’s well-known love of The Flaming Lips just meant that they were too in awe of their collaborators to push them to create something really worthwhile.But Troy and Edwards arrived in Oklahoma City without any material prepared. It is the lost opportunity to weld together the sounds of two fine but distinctly different groups that is somewhat frustrating. It’s not so much what Deap Lips is that’s the problem, but even that loses its appeal after a while, with songs flowing into one another and not altering its flavour a great deal along the way. “Wandering Witches” even picks up on a kind of trip hop vibe, while a cover of Steppenwolf’s “The Pusher” has an off-kilter groove and is soaked in auto-tune vocals. “Hope Hell High” is blissful and laidback, with Lindsay Edwards crooning “Why is it so damn hard just to have an easy time”, and “There is Know Right There is Know Wrong” with its spaced out acoustic guitar and meandering electronic weirdery, almost imagines Fleetwood Mac if they were still neck-deep in narcotics. The Flaming Lips, long considered one of the most important alternative rock bands of all time. This isn’t to say that it doesn’t shine in places. Their last album Femejism was released to huge critical acclaim. ![]() Instead, the album encompasses psychedelic electro-pop, spaced-out ballads and even betrays splashes of the Human League’s early days on “Not a Natural Man”. Less of a full-blown partnership, it feels more like Wayne Coyne’s mob have merely taken on a female vocalist to recreate their recent-ish album with Miley Cyrus, Miley Cyrus and her Dead Petz - albeit a version that is bit more experimental.įor while Deap Lips is certainly not feeble, it is as far away from such showstoppers as “Bad for My Body” and “Smile More” as could be and seems something of a lost opportunity. ![]()
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